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The Accusation Alone is Enough!
by Aaron D. Hoag
The accusation alone is enough--a stigma that will
never be erased. The bell cannot be unrung for Glenn Erskine who,
early in Return to Innocence, is accused of molesting young
child. Glen's life will never be the same; his innocence lost forever.
Return to Innocence is a gut wrenching,
stomach turning, yet, ultimately, redeeming movie that hits you with base,
raw emotion. I give the filmmakers a big thumbs up for having the guts
to bring such an emotionally charged story about such a morally
sensitive topic (sexual molestation of children) to the screen. The movie is not
just about the story of a man wrongly accused, it is also about how we perceive
and analyze those accused of criminal acts and how the mere accusation can be as
damaging as any conviction.
Glen Erskine, played brilliantly by Richard Meese,
is the stalwart director of a boys home for sexually molested boys and teens.
Tommy Jackson, played by talented young Andrew Martin, is a 13 year old boy who
has been at the home for 3 months after his mother was arrested for distributing
pornographic pictures and movies of her own son. He has enjoyed a very close
relationship with one of the counselors, Chris, which unfortunately turned into
something that is much more physical and personal than the usual
counselor/patient relationship. When Glen confronts and threatens Chris with
suspension, Tommy , who believes himself to be in love with Chris, decides to
make trouble for Glen.
This is where everything goes wrong for Glen, as
Tommy takes his recent, normal, everyday meetings with Glen and twists them to
his own use, accusing Glen of sexually molesting him during those times. The
remainder of the story focuses on the court case against Glen, the resultant
outcome, and how it affects his life.
The movie was shot on digital video in black and
white with a limited budget. But I feel the filmmakers did a great job with the
small amount of funds they had in creating a realistic portrayal of child abuse
and those involved in their care. The screenplay was written by Gary M. Frazier,
who also wrote the book the movie is based on, and great care was taken by
director Rocky Costanzo to portray the movie as closely as possible to the story
Mr. Frazier wanted to tell. Despite some minor lighting concerns - I felt the
scenes in Glen’s office and the courtroom were a bit on the dark side - I was
impressed with the quality of the film and the smooth editing, considering their
stretched budget.
As stated before, Richard Meese was excellent as the
besieged counselor. Along with Steve de Forest, who played his very convincing
attorney Jim Aiken, their performances were the standouts in the film. Andrew
Martin delivered an almost eerie performance as the confused victim who turns
the tables on Glen. I also enjoyed Lou Franson as the D.A. Moultrie. It is
obvious that these actors were very interested in the story and played their
parts sincerely. However, other than these great performances, I would have to
say that many of the supporting roles were stiff or halting.
What really makes this a good movie is the
seriousness and realistic portrayal of the subject matter. This movie pulls no
punches and I physically squirmed through some of the more detailed parts of the
film dealing with Tommy’s sexual abuse. Rocky Costanzo and Gary M. Frazier do
not sugar-coat the script which calls for honest, in-your-face
dialogue.
Return to Innocence successfully tells an
emotionally strong story forcing the audience to think before passing judgment
on its fellow man. The incredible ease with which the main character is put into
a dire situation is made all too realistic and eerily simple. The
accusation alone should not be enough.
Aaron D. Hoag, 2002
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