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Mental Split
by Bryan Ward
I'm breaking the rules already. The first rule of Fight Club is: You don't
talk about Fight Club. The second rule of Fight Club is: You don't talk about Fight
Club. Well, get ready, because there's going to be a lot of talking about this
movie during the coming weeks. Words like: Provocative. Unsettling. Twisted. Deranged.
Brilliant. Irresponsible. Evil. Political. Satirical. Wonderful.
Deranged...did I use that one already? Golly. Fight Club is all of these words and more.
David Fincher is quickly becoming one of Hollywoods bright new
lights. With films like "Seven" and "The Game" under his belt, Fight Club
should secure his place among the elite directors of today. (We will ignore the debacle of
Alien3 for now, everybody has a bad day.) Fight Club is brilliantly directed and
artfully executed in a style that is perfect for the films message. And
what is that message? What is Fight Club?
Give me a minute.
They handed out bars of soap before the screening last night. Soap
plays a somewhat important role in the storyline. (I won't give it away here.)
But the soap is handy to have around after the movie as well, because you're going to
want to wash your hands. Vigorously. Several times. Cause you're going to feel
dirty, scummy. Unfortunately, the soap won't work on your mind. (Thanks Stan.)
It's not going to clean away that strange nagging feeling that you're going
to have. The feeling that you really didn't need to see this movie. That
somehow you've come away from the experience a little less sane than when
you went in.
Fight Club was held back from release because of the shooting in
Colorado earlier in the year. Typically, I'm not one of those people that
think that's usually a good idea. But in this case, it was a great idea. Fight
Club is a two-sided animal in more ways than one. The entire movie is built
upon this duality. The double sided nature of man. And I mean MEN in capital letters. At its
core it is an insightful statement about the state of young manhood in our
American society. A young lost world in which the only release is aggression,
violent aggression. You reap what you sow and we've finally reaped the
fruit of a generation raised without significant male role models, namely fathers.
Edward Norton is brilliant as the self reflecting all-in-one
character that lives that life of meaningless existence. His is the character that embodies all
of the traits of our youth today, tortured, questioning, searching for the answers.
Until he finally finds a kind of friendship and purpose in Tyler Durden (Brad Pitt).
Tyler is a wild hair, a person outside of the world of the main character, who has no
real name and is simply referred to as "Narrator" in the credits. Tyler
Durden embodies all of the things that Narrator is not, free from societies
bonds, quick witted, always quick with the right answer and most importantly of all...his
yen, his SuperEgo if you will.
This brings us full circle, back to that duality thing I mentioned
earlier. It pervades the entire film. The question of how far can an idea
go? How deeply into ourselves do we really wish to travel? The point is very clearly made.
Unless you're willing to live with the consequences, perhaps you shouldn't look. Because
what you find there might not be very pleasant.
Fight Club is indeed disturbing. Its disturbing because of its
potential reality. It IS plausible. The degree might be exaggerated, but
the truth is not. I think that is what scares us the most. This is not the comic, ill conceived madness of
Natural Born Killers. This is the hard-core, sometimes harsh world of men who snap.
Men who find no other recourse than to walk into their work, their homes and
take their rage out against family, strangers, anyone who stands in the way. Teenagers
who feel they have no purpose in life. Directionless. Adrift. I can only hope
that by shinning a light on this subject, Fight Club acts as a beacon of
reason and understanding...and not as a standard bearer.
Fight Club is a sometimes very funny movie. Its satire of our world
is not limited to the above mentioned nature of man. It takes its shots at
many different subjects, from airline travel, the insurance business, terrorism, small
business, and liability lawsuits. In many places the actors address the audience
directly, an often misplaced device, but in this context it works extremely well. The
style of Fight Club is brilliant, the acting superior, the script
perfection. Brad Pitt continues to shine and grow as an actor. He should be taken very seriously after this
performance. Edward Norton is perfect.
Will Fight Club be successful? Who knows. I certainly don't. But
one thing is guaranteed. People will not forget Fight Club anytime soon. It will
stay with you long after you've seen it. It's not an uplifting movie, it's certainly
not a date flick, a chick flick, an action adventure or a moving testament to mans good
side overcoming evil. It's simply a mirror. And what you see in that mirror depends on you.
Bryan Ward, 1999
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