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by Rusty White
The face of many a Western bad-guy |
Jon Locke was the first person I met at the Memphis Film Festival. I
wandered around looking through the dealers booths, checking out the
multitude of posters, stills, lobby cards and other memorabilia. I stopped at
a booth and recognized a still from the old TV series "Highway Patrol" with
Broderick Crawford. I heard a voice say, "That was real vintage TV. That's
Jon Locke with Broderick Crawford." I looked toward the voice and saw a large
robust silver-haired man wearing a large black cowboy hat. "Oh yeah, "Highway
Patrol," I remember it well." "You don’t look old enough" the man said. "It
was in reruns when I was young. We used to sit on top of our doghouse and
pretend we were Broderick Crawford chasing bad guys" I responded. "That’s me
as Officer Garvey. I was Broderick Crawford’s first sidekick." Being the
rocket scientist that I am I finally realized that the guy I was talking to
was Jon Locke. Like I said before, I’ve never been to one of these
conventions before and didn’t expect movie actors to be sitting around
talking to anyone who walked up.
Jon Locke was a very warm and funny man. He came to Hollywood from
Broadway. He appeared in the play "Flame Out." The play was about an Army/Air
Force test pilot from Texas.
Jon Locke: That was the only Broadway play financed by John Wayne. He never saw the
play because he was always away on location making films."
Jon also appeared on Broadway and summer stock in "Stalag 17" and "The
Pleasure of His Company." Jon left for the West coast. He was hired by Disney
to appear in "Westward Ho! The Wagons." From there he moved to TV when he
landed the part on "Highway Patrol."
John Locke: "Highway Patrol" was a great training ground for an actor. Broderick
Crawford was known to like his vodka. If you did a scene before lunch
everything was all right. After lunch, things were different. I had to be
perfect every time. You never could tell if Broderick was going to blow his
lines. I became a good one-take actor.
The above comment about Mr. Crawford was spoken with affection.
During this same time in his career, Jon appeared in the WWII/courtroom
drama "Under Fire" (1957) with Harry Morgan and (in an early role) George
Chakiris. Jon appeared as Corporal Crocker, one of four men charged with
misbehavior in the face of the enemy. The film was shown at the festival. Jon
was quite good in the large supporting role. The film did suffer from an
overly dramatic performance by Steve Brodie as the defense attorney. The
film’s producer Plato Skouris, came in the last day and watched the film with
Jon, Katie and the fans.
Who is Katie you ask? Katie West is Jon’s agent, manager, partner and
companion. Ms. West is also a celebrated Western Artist who paints in several
mediums, and also produces Petrigraphs which are etched into polished
granite. Her artwork may be viewed at "www.katiewestart.com". In addition to
her painting, she accompanies the musical Mr. Locke on a percussion device
named "Ernie." Jon and Katie broke into musical numbers at the drop of a hat.
With Jon strumming his banjo and singing, Katie drummed along on "Ernie" a
washboard, cowbell, tambourine and several other item contraption which
provided an incredible sound. When I saw her first sit behind "Ernie" and
play, I was reminded of the "Our Gang" episode in which the Little Rascals
entered a musical contest with a bunch of funky homemade instruments. They
were laughed at by the other contestants until they started playing. I am a
frustrated drummer. I could have a lot of fun with a device like "Ernie."
Jon began making TV westerns during the 60s. This was his favorite period
of his career. Jon appeared in "Gunsmoke" "Alias Smith and Jones" Bonanza"
"Wells Fargo" "Virginian" "Wagon Train" "Laramie" and "Custer" among others.
JL: I got typecast because I did a pretty good cowboy. After that I couldn’t
get parts outside of westerns. I auditioned for "Ironside." No deal. Kind of
funny as I started out on TV as a cop. I also appeared with James Drury’s
(the star of "Virginian") rodeo. He called me up one day and asked if I would
like to go to Vietnam as part of a USO show. I said "When do we leave?" We
had a stop in Japan. Did a show there. NBC sent over an episode of
"Virginian" to be used for publicity on Japanese TV. In that episode I played
a cruel prison guard who beat the daylights out of Robert Redford. The show
was dubbed and shown on TV in Tokyo. I got a kick out of seeing my mouth move
and find that I spoke fluent Japanese.
In the 70s Jon was able to break free of the western typecasting. He
appeared in many other TV series such as "Simon and Simon" "The Waltons" "The
Mary Tyler Moore Show" "General Hospital" and "The Bionic Woman" to name a
few. He also appeared in the Emmy Award winning TV movie "Gideon’s Trumpet"
with Henry Fonda.
JL: It was the story of a guy who was railroaded into prison and fought back.
Heck, you’re the lawyer, you know that. (Gideon v. Wainwright was the Supreme
Court case which said that the accused has the right to counsel in a state
criminal case.) Henry was in a lot of pain during the shoot. He wouldn’t let
on that he was sick. A real professional. It was an inspiration to see him
push himself the way he did. I played a sympathetic guard who tried to help
him out in the prison. I had four scenes with him. Two of them were just
scenes in which I was there. But I did have two scenes with him that were
quite good. I’m proud of that work. I was happy with the way the film turned
out.
Jon would be recognizable to many who grew up on Saturday morning
television in the mid 70s if it weren’t for the fact that he was covered in a
large green rubber suite. Jon was the leader of the Sleestacks on Sid and
Marty Kroft’s "Land of the Lost." He also appeared as a Yeti in a couple of
episodes.
JL: I was the only Scotch-Irish yeti on television. They couldn’t hide my
Irish nose under the make-up. I’m Scotch Irish! That means I like to drink,
but I don’t like to pay.
Another film that Jon is proud of is "Years of the Beast," a
Christian end-times movies that IMDB calls "one of the best Christian end
times films…"
JL: The movie was filmed during a strike. We had a SAG educational exception
permit. It had a great cast. Jerry Houser (Summer of '42) was in it. We had a
union crew, great production values. I played one of the leads. I was a
survivalist. It was set in the Northwest. The movie had great production
values and surprisingly good special effects as they destroyed Seattle in the
movie. There was a doctor in Canada who was a devout Mennonite. He was a
pilot who took a lot of time off to fly to Alaska as a missionary. Against
his kids wishes he put up $450,000.00 for this movie. He’s passed on now, but
his movie lives on.
EInsiders.com: So what do you have cooking for the future?
JL: I'm working on a series about old west towns. I'm the host. I play the
ghost of an old cowboy. I introduce each episode. We tell the true story of
old west towns like Dodge City, Tuscon, Leadville...
EInsiders.com: What about Jerome Arizona. That is such a cool place?
JL: Actually the first episode was about Jerome. They had a different host.
He didn't work out and the story was dry. The producers revamped the whole
idea, they hired me. I'm also helping my friend reorganize the Western Film
and Art festival to be held next year in Sedona Arizona.
On the last day of the festival, Jon took part in a recreation of an
episode of the radio version of "Gunsmoke." He played Matt Dillon. No one
else there could have done it as well. I must admit that I did not know Jon
Locke by name before the festival. I have seen him in many shows, but I never
put a name to the face. I was able to spend many hours with Jon and Katie.
They are gracious and talented people. I hope to see them next May at the
Western Film Festival in Sedona Arizona. Check out Jon’s filmography on IMDB
and look for his work at you local video store. Long time "Video Risk"
sponsors "The Video Library"
and "Hollywood’s Attic" would be another good
source to locate Mr. Locke’s film work.
Rusty White
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